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| Never ask a question... |
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"Never ask a question..." begins the mantra of a trial
lawyer, "unless you already know what the answer is
going to be." The lawyer's objective is not so much to
uncover the truth as it is to win the case.
A radio programmer is out to win as well. His goal is to
amass the largest possible audience in a desired
demographic and keep them listening for a long time.
As the number of voices in the media world has
proliferated, the programmer's job has become more
difficult. We still treasure the feedback from listeners
who love everything we do, but we know they are no
reflection of the real world. We may occasionally solicit
criticism, but there is hardly ever a really useful
suggestion that comes to us this way, beyond the
recurrent "Don't run so many commercials." (Those
complaints will continue regardless of your commercial
load policy-particularly if your local commercials are not
the best they can be.)
As professional marketers, we try to keep in mind that
the people we interact with in the normal course of our
daily lives are not likely to be typical of the radio
listeners we are trying to reach and satisfy.
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| Ask the right questions... |
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With the development of proven research techniques to
find out what radio listeners really like and dislike, most
competitive radio stations in markets of any size are
now conducting regular studies to guide their managers'
own instincts.
We know that we must ask the right questions of the
right respondents to obtain accurate, actionable
information. We are sophisticated enough to be aware
that a self-selected sample is unlikely to be
representative of the breadth of the entire target
audience or even necessarily typical of all your existing
listeners.
Far too often I see research projects designed by
programmers who, like the trial lawyer, are minimizing
the chance for surprises. While it may be inwardly
satisfying to have an expensive research study confirm
the wisdom of what you're already doing, it does not
teach you a thing!
My experiences in managing radio stations outside the
United States over the past twenty years have yielded
surprise after surprise. However, if our research
projects had been shielded against them, those
stations would never have become as successful as
they are today.
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| Allow for the unexpected... |
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In Moscow in the early 1990s, Radio 7 was looking for
guidance on what music would help develop a high-
quality image with educated and wealthy Russians that
advertisers wanted to reach. One-on-one open-ended
interviews with a small sampling of potential listeners
yielded a surprising result. While they liked a lot of
international pop music from the West, they also valued
and appreciated well-known serious classical music.
Without that unexpected suggestion, we never would
have tested any classical selections along with the
Western music we expected to be well-received. The
classics tested best of all. Radio Seven to this day
includes at least one classical selection in its playlist
every hour!
More recently in India we were preparing to launch the
country's very first non-government station in the city
of Bangalore. We hired a staff of bright, with-it young
people, and they looked forward to creating a new
station that would reflect the hip musical preferences
of their city of some seven million people. Central to
Bangalore's image is its "pub culture", with well over
100 pubs blasting the latest Western music to
enthusiastic crowds of young people. We reserved
nearly half our test for our staff's selection of the
Western hits they knew and liked best. Since
Bollywood--India's film industry--movies are popular
throughout India, we also tested a lot of music from
these films, in spite of the fact that the language is
Hindi, which is very rarely spoken in Bangalore.
We were stunned by the results of the test, conducted
against a carefully recruited random sample of young
people in the top socioeconomic groups. In a 1200
song test, fewer than 20 Western songs scored in the
top 500 selections! In spite of the city's reputation for
the "pub culture", broad everyday use of the English
language, and contrary to the tastes of our own staff,
the overwhelming preference of our target audience
was for Hindi film music.
The lesson is that it is essential to design research that
allows for the possibility of an unexpected result. If
instead you prepare like a trial lawyer for research that
will not surprise you, you will get only a (possibly false)
confirmation of your own prejudices. For a radio
programmer, unlike a trial lawyer, you only win when
you really uncover the truth!
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| Guest Columnist John N. Catlett |
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John N. Catlett is a lifelong radio broadcaster. He
brought the first mass audiences to FM in the 1970s,
introducing WCBS-FM/New York's oldies format in
1972. The past twenty years he has worked outside
his native United States. His unlicensed shipboard
Laser 558 attracted twelve million weekly listeners. For
Atlantic 252 he brought large audiences and
profitability to an Irish longwave frequency. He helped
build and manage a group of stations in Eastern Europe
and Russia for Metromedia, and he has just completed
a three-year assignment for Rupert Murdoch's Star
Group, introducing the first private FMs to India.
He is available for either short- or long-term
assignments and is reachable via the Internet address
JNCatlett@aol.com.
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"OnlineTRACKER™ is a fantastic research tool for
the Galaxy network. It helps to keep us on the cutting
of edge of our listener's music tastes and helps us
identify the big hits fast. The results are consistent
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helped us improve our music perceptions."
Vaughan Hobbs
Programme Director/Galaxy 102 Manchester UK
Group Head of Music/Chrysalis Radio
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Program Director
KISS 106.1/Seattle
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