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In this edition, Guy Zapoleon speaks out on what's
happened to our industry's beloved "callout research"
and why it seems to be going down in flames. Where
can programmers turn for finding the hits? Plus..Chris
Ebbott joins Pinnacle Media Worldwide!
| GUY ZAPOLEON'S HISTORY OF THE FUTURE |
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There was a time 15 years ago, when callout was not
part of a programmer's standard set of "tools for the
Hits!" Back then most programmers didn't haven't have
a comfort zone with callout and instead, still relied on
national charts, single sales, and requests to determine
rotations. A handful of programmers in the know, rode
"callout" scores and "library testing" to big
successes. We found that on a 1 to 10 scale, where 1
is the most conservative light listener, and 10 is the
most active heavy listener, and 5 was where the
majority of your listeners were, callout captured the
majority with a good representative balance of light
medium and heavy listeners.
After those notable successes the industry embraced
callout and for the last 10 years, its has become the
norm for determining Hit songs. However because of
the onslaught of telemarketing and other calls to the
household, and the development of caller ID, its nearly
impossible to reach your average person! Instead, you
reach the person who has time to talk to anyone who
calls, and that sure AIN'T average these days. While
callout was representative of statistically, reliable
average listeners just a few years ago, today it seems
apparent that the majority of callout respondents are
light and medium-light listeners and do not truly,
represent enough of your medium and heavy listeners.
Some people insist that the person who participates in
callout is the same type of person who will
accept a ratings diary. This may be true to some
extent, but regardless, this person is less and less
indicative of your real-world listener, which is why
people meters have become so important to worldwide
ratings companies. Also, keep in mind that if you play
only to the most conservative, non-Internet savvy
people then you are playing to the past, and a new,
more targeted station, that appeals to your medium
and heavy listeners, can likely steal your franchise.
See a demo of "OnlineTRACKER" Internet Research »
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| CALLOUT FRUSTRATION |
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Traditional callout has become so frustrating for most
programmers because it can take up to 10 weeks to
identify a hit. The sad thing is that most programmers
are projecting songs to powers and medium based on
national spins -- a huge mistake since national spins is
just one programmer watching another and less and
less based on real research. I know of many songs
recently, that made it into the Top 10 but never ever
tested in either traditional callout or online research.
That's one huge advantage that online research has --
the ability to identify hits much faster than
traditional callout. I watch so many people who don't
have online research, prepare to dump a song that
becomes a hit for that station 3-4 weeks later!
Visit zapoleon.com »
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| WHAT ABOUT ONLINE RESEARCH? |
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So what about online, Internet research? Three or so
years ago, when some of the first online
research companies launched, many said
online, Internet research is way too active and not
representative of your average listener.
However, as the majority of your listeners have an
email address, and are more and more internet savvy,
online research IS indeed, representative of that huge
chunk of your listeners, that callout now misses -- your
medium and heavy listeners. These are the people who
have busy lifestyles (as most of us do) but can sign on
and rate your music anytime they want -- day or night!
They will participate in an online survey when they'd
never welcome a phone call from a callout company let
alone be around when that company called them.
Many people also questioned the methodology, saying
it
isn't random enough! But in reality, if its done
correctly, it's just as random with your select quotas,
as any callout company that is now forced to work
their database over and over again for sample. They
key to these systems is to continue to build your
database, which online research companies do thru a
radio stations own airwaves, or through a databasing
program the radio station may have.
For now, we would recommend using both
methodologies (if you can still afford it), since
traditional callout tracks down the
most conservative part of your audience and internet
research tracks down the more active medium and
heavy listeners. Your powers would be determined by
those songs that do well with traditional callout and
online. Internet DOES have a very big advantage
in times like these...it's very inexpensive and can use
MUCH larger, unlimited numbers within the samples!
Contact guy@zapoleon.com
Click here to Email Guy Zapoleon »
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| EBBOTT REACHES PINNACLE |
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Chris Ebbott, former Program Director for Mix 95.7
Philadelphia, KZON Phoenix, WMTX Tampa, Assistant
PD/Music Director of STAR 98.7 Los Angeles, and
Marketing Director at KFI Los Angeles, has been
appointed Senior Research Associate for Pinnacle Media
Worldwide. President/CEO Bob Lawrence notes, "Chris
adds yet another exciting dimension to PMW that truly
rounds out our programming/research team, both
domestically and internationally. His experience in
marketing, programming, music, talent, and developing
strategic and tactical plans, across multiple formats,
makes him a natural choice."
Ebbott says, "TeamPINNACLE has very
quickly, built Pinnacle Media Worldwide into the premier
Music Research company! I love the fact that the
Pinnacle products and services are developed by
successful, major market programmers who know how
to design, deliver, and interpret research that drives
ratings. As a former client of Pinnacle's, I now look
forward to being a partner to Pinnacle client stations
around the world."
Chris will be based in Southern California and will begin
his duties shortly after his early August wedding to
former STAR Los Angeles Program Director, Angela
Perelli.
Find out more about TeamPINNACLE
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